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When a child, Chiron lives with his single, crack addict mother Paula in a crime ridden neighborhood in Miami. Chiron is a shy, withdrawn child largely due to his small size and being neglected by his mother, who is more concerned about getting her fixes and satisfying her carnal needs than taking care of him. Because of these issues, Chiron is bullied, the slurs hurled at him which he doesn't understand beyond knowing that they are meant to be hurtful. Besides his same aged Cuban- American friend Kevin, Chiron is given what little guidance he has in life from a neighborhood drug dealer named Juan, who can see that he is neglected, and Juan's caring girlfriend Teresa, whose home acts as a sanctuary away from the bullies and away from Paula's abuse. With this childhood as a foundation, Chiron may have a predetermined path in life, one that will only be magnified in terms.. The first black helmer to win was the British director Steve Mc. Queen. Don't you ask me no shit like that! I'm your mama! That bitch over there ain't no kin yeah? I'm your blood! I need something to help me out. HANDMADEDesign is a young discipline. A process engineered at the beginning of the industrial age that first and foremost developed function and derived beauty from it. Up until today, function was the trademark of industrial and serial design, reluctantly giving in to the emotional and the ephemeral. But man started to tire of function alone and evolved to decor, surface effects and inlay techniques, blending industry, art and design; a movement which is making a revival at this current time. Then came a moment of great innovation, aerodynamic design and streamlined form. What followed was a time of space- age shapes and science- fiction volumes: our fascination with form for form’s sake was born. Function became remote and voice- controlled and morphed into virtuality, giving function an ungraspable quality. Thus arrived matter and the development of our fingertips as important consumer tools. Material development became a major focus of the art and design worlds, the concept of second skin was born, forecasting a future of genetic engineering and human cloning. The more virtual life became the more tactile we wished to become. Matter called for colour to make up its mind and express its mood, ultimately making colour the overruling reason to select an outstanding work of design. When design had acquired a sense of function, decor, shape, matter and colour, the insatiable and by now global market, requested more. It needed a code, or a name, or a logo, or all of those, so it invented and perfected the brand: a passport to international shopping pleasure. With this last step, the world could sit back, relax and contemplate a century of learning, accumulating in a completed and perfected design process. Today, we experience a need for reflection and we feel a need to rethink the (non)sense of design. The globalisation of the world as one market has brought about shopping boredom and uniformity with the alternative boutiques gradually disappearing in favour of chain stores, chain couture, chain food – and chain coffee houses. The idea that not only people in Paris, London and New York should live and consume the same, yet that the masses of Mumbai, Shanghai and Dubai will also do so seems stifling and impossible. Global marketing will eventually come to a standstill, making way for outsider brands and Sunday artist creations. The local will feed back to the global and will animate world brands to become passionately interactive and reactive. Introducing local colour and craft along the way. To answer this growing global resistance to constant renewal and limitless expansion, humanity and integrity are requested for the years to come. It is time to empower goods with a new dimension; their own character, an invisible energy locked into the design process. I believe that we will be able to make the object, concept, or service come alive to be our partner, pet or friend, and to relate to us on a direct and day- to- day level. Only when design will be empowered with emotion will we be able to create a new generation of things that will promote and sell themselves; they will have acquired an aura able to seduce even the most hardened consumers on their own terms. Only then will design have acquired soul. Craft holds this promise: the turn of this century has witnessed a return to the arts and crafts movement in a step- by- step repetition of the last turning of the centuries. Haunted by similar fears and interested by a similar vision, designers and artists have once more taken on the handmade and the hand- finished with absolute fervour. The growing influence of an all- encompassing digital fantasy world has triggered an enormous quest for the manual and the tactile, with our fingers deciding through feeling long before our eyes start judging form and volume, and with manually- powered production coming back to the fore. The realisation that we have to stop destroying our planet has made young designers adamant to produce ecologically and locally, thus creating less polluting proposals, reviving natural dyes and returning to timber, fur, hide, textile, ceramic and glass; original arts and crafts materials. In many cases the works come in limited numbers or on commission, and therefore minimise the damage done to the planet. The crafted and handmade cottage industries currently flourishing in many countries are employing regionally and create a small yet reliable local economy. A movement we see blooming, bringing production back to our doorstep once again. Collaborations between designers and craftspeople have opened up new dialogues across borders, often bridging language boundaries with the simplicity of visuals, colours and materials; contemporary designers such as Tord Boontje, Stephen Burks, Fernando & Humberto Campana, Natalie Chanin, Forma Fantasma, Front and Hella Jongerius (amongst many others) are helping to keep artisan techniques alive by designing small- run products that gain a lot of international attention. Taking advantage of the internet and supported by design- savvy distributors such as Afroart, Aid to Artisans, Artecnica, Editions in Craft, Heartwear, Mokeybiz and Zen. Zulu, developing communities have successfully been taught to be more self- sufficient and independent, maintaining their identities while telling their stories to the world market. New computer technologies are also contributing to the craft revival with laser cutting, digital printing and robotics, recreating a space for fantasy and embellishment. With the promise of industrial technologies capable of making one- of- a- kind piece- by- piece productions, the reign of the artisan will be supreme since prototyping will have to be both unique and by hand. Last but not least, this period provides a moment of reflection concerning our planet and its history of slavery and exploitation, and therefore the humanitarian aspect of production is becoming a key question of our times. Can we still accept the enslaving of young workers around the world, women and children included? How is it possible that we can produce a shirt cheaper than a croissant? Somebody must be suffering in this chain of making, selling, reselling and retailing; buying cheap merchandise will become a guilt- ridden activity and therefore will gradually disappear. The world is now focused on the history and identity of merchandise, labelling products as “designed by” as well as “made by”. With a consumer ready to embrace the rare, the unravelled and the irregular in this quest for soul in a product, the arts and crafts movement is back at the forefront of fashion and design. The ritualistic qualities inherent to the making of the craft object or the symbolic quality in the concept of a human service will gradually become more important; in a quest for experience, consumers will want to embrace a spiritual dimension and select merchandise to appease this inner need. Some craft items will become new design collectibles within a matter of decades, and already we see the prices of some textiles, objects and artworks escalating to greater and never- before imagined heights. Using regional roots, local colour and universal references related to earth, animals, gardening and home. Living an unplugged yet wired lifestyle, considering rural romantic sources of inspiration, craft and design will merge to inspire a new more self- conscious and mature consumer to be. A consumer that becomes the curator of his or her own life. L. E. On sunday march 1. Lidewij Edelkoort will be in Dubai for a public seminar on “What Design can do for the Future?”www.
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I’ve been in Tuscaloosa, Alabama, all of twenty minutes when I hear my first Nick Saban- is- a- maniac story. By Theodore Shoebat “I do insist,” Hitler once said, “on the certainty that sooner or later — once we hold power — Christianity will be overcome and the. I’m in the office of a man named Steven Rumsey, who rents apartments to students and runs a trash- hauling company. He’s also an ace golfer. Tuscaloosa being a small town, Saban, a golf- addicted transplant, got hooked up with Rumsey, a golf- addicted local, and in the afternoons outside of football and recruiting seasons, the two men like to knock out eighteen holes before dark. Rumsey has likely spent more time with Saban than anyone besides family and assistant coaches since Saban came to Alabama and, I will learn during my time in Tuscaloosa, is one of the few people in town who isn’t terrified of the man. The story is this: A few days after Alabama beat LSU to win the 2. Rumsey and Saban were on the phone together. Most of their conversations take place precisely between 7: 1. A. M. But this call happened to be in the afternoon. The two men almost never discuss football—Rumsey is the rare Tuscaloosan who doesn’t know or care much about the game, which, he suspects, has something to do with why he and Saban have become friends. But given that his golf buddy had just won the national championship, Rumsey figured he ought to say a few words of congratulations. So he did, telling Saban his team had pulled off an impressive win.“That damn game cost me a week of recruiting,” Saban grumbled into the phone. Rumsey at first thought he’d misheard. He asked for clarification. Saban repeated himself. He just knew that while he was preparing for the title game, enduring all the banquets and media bullshit that came with it, some other coach was in the living room of one of his recruits, trying to flip the kid. The thought was making him crazy. Rumsey pointed out that Saban and his team had just been on national television before millions of people—including, most likely, every high school recruit in the country—and reminded Saban that they had won the national championship.“I said, ’I’m not sure, but I think that helped you,’” Rumsey recalled. Maybe that was good.’”Saban’s pathological drive helps explain why he’s both one of the most successful coaches in American sports and, simultaneously, one of the most polarizing. He has now won four national championships—one at LSU and three over the past four years at Alabama, a coaching run unmatched in college football in more than half a century—and his Crimson Tide team is a preseason favorite to win it all again this year. In the insanely competitive SEC, Saban has been a career- wrecker for opposing coaches: Phillip Fulmer (of Tennessee) and Tommy Tuberville and Gene Chizik (of Auburn) all lost their jobs after beatdowns by Saban’s squad. 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But he just keeps jumping on ’complacency, complacency, complacency.’ Most coaches don’t think like that.”Saban is also among the highest- paid men on a college sideline, raking in more than $5 million a year, and he has rejected attempts to lure him back to the NFL, where he spent two seasons as coach of the Miami Dolphins and where he could easily earn more. And yet something about Nick Saban bothers a lot of people. The rap is that he’s grandiose and unfeeling, a robot set on “win,” that he’s a hired gun with no particular loyalty to any team or institution. Evil teen mum Amanda Hawkins - who INTENTIONALLY killed her two daughters - set up GoFund Me page begging for donations so she could buy a house. He-Man and the Masters of the Universe is an American animated television series produced by Filmation based on Mattel's toy line Masters of the Universe. His detractors have their case file. In Miami he once stepped over a convulsing player after practice without acknowledging his presence. Saban was also captured on film screaming at a 3. Saban then enraged Dolphins fans when he left for Alabama after saying he wouldn’t. In the college ranks, he’s been accused of flouting the rules limiting scholarship numbers by encouraging injured players to leave the team. In 2. 00. 7, he likened a loss to 9/1. The iconic images of Nick Saban after his championship wins are not of a jubilant victor lifting a crystal football over his head but of a coach giving the death stare to players who dared to douse him with Gatorade. In SEC country, Saban bashing has become a particularly popular pastime. In January, Vanderbilt head coach James Franklin referred to Saban as “Nicky Satan” in front of a group of high school kids. In May, one of Saban’s own former assistants, Tim Davis, now an offensive- line coach at Florida, called Saban “the devil himself” at a booster meeting. In an indication of the sort of loathing Saban inspires, one Orlando Sentinel writer penned a column taking Davis to task not for calling Saban the devil but for later apologizing for it. Search files on torrent trackers without registration and rating. DownloadShield - best torrent search and download manager, Trusted and Highspeed Torrents download. 1 I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul. Even the Alabama fan base—of which, full disclosure, I’m a lifetime member—holds Saban in a kind of wary embrace. Don’t get me wrong: Alabama fans worship Nick Saban—on campus they have literally rendered him in bronze on a larger- than- life scale, an honor afforded to Tide coaches who win national championships. But as quickly as they—we—might defend him against accusations of actual ties to the underworld, few would ascribe to him the divine qualities projected onto Bear Bryant, a coach who, Alabama fans only half- joke, could walk on water. Bryant’s appeal came not just from winning games but also from a winning personality. Saban has established himself as a great football coach, but even Alabama fans are still trying to figure him out as a person—or determine if he is one. I mentioned to one Tide fan I know that I was back home on a quest to find anything that might prove Nick Saban was a human being.“Well, there’s circumstantial evidence,” he deadpanned. I’m scheduled to spend the day with him on the twelfth tee, where Saban will play with each foursome as it rolls through. It’s obvious he wants nothing to do with me. For four hours, we stand on the same golf tee with next to no interaction. I approach, he drifts away. I listen in, he stops talking. The situation is too fluid—there are too many “external factors,” Saban’s term for all the forces in the world out to trip you up—for him to feel comfortable. After watching Saban go through half a pouch of Red Man Golden Blend chewing tobacco and hit the same tee shot a couple dozen times, I close my notebook and sit on a bench. A moment later, he sits down next to me and fles the corners of his mouth slightly, in what for Saban constitutes a smile. Saban gravely invites me in and motions me toward the seating area where he meets with recruits and their families. On brass easels to my right are three framed photographs of his Alabama championship teams on the White House steps with President Obama. He’s in control now. He has limited external factors. I’ve been told that Saban enters every meeting, however trivial, with a sense of purpose, and in short order he makes clear that the purpose of our meeting is to set the record straight about Nick Saban the man. For one thing, Nick Saban doesn’t enjoy being compared to the devil. He doesn’t think it’s funny, perhaps because it hits too close to home.“It used to upset me,” he says. Why do these guys say I’m that way?’ And she would say, ’You ever watch yourself in a press conference?’ You can blame the other guy for saying it, or you can look at yourself and say, ’I must have contributed to this.’”And yet Saban, now entering his seventh season at Alabama and soon to be a grandfather, insists that the caricature of him as Lucifer in a headset no longer applies.“I think I’m pretty misunderstood, because I’m not just about football,” he tells me. While the Crimson Tide players are back home or taking summer classes, Saban is hosting 1,0. Alabama’s annual youth camp. Most big- time head coaches leave camp duty to assistants—the daylong photo session with every last camper is considered ertion enough—but in Saban’s mind that wouldn’t be right. He has a saying: Right is never wrong. It means, in essence, there is only one way to do things: the correct way. A Nick Saban Football Camp without a great deal of Nick Saban would be something short of entirely right and is therefore, to Saban, unthinkable. Saban applies this principle to all aspects of his life. Back before they had money, his wife, Terry, says, she was all set to buy a cheap piano when Saban objected. He was so appalled by the thought of shelling out for a poorly made instrument that he insisted they splurge for the quality model they could barely afford. They spent three years making $6. Youth camp is the rare time you’ll see Saban towering over the players around him. He’s five feet eight but occupies more space than the average man of that size because of the funny way he barrels around—chin down as if looking for a lost contact lens, arms straight and extended slightly away from his body, legs apart, as if he’s got sand in his drawers. Saban is a fit 6. He doesn’t drink. For breakfast, he eats two Little Debbie Oatmeal Creme Pies; for lunch, a salad of iceberg lettuce, turkey, and tomatoes. The regular menu, he says, saves him the time of deciding what to eat each day, and speaks to a broader tendency to habituate his behaviors. Saban comes to this system by instinct rather than by adherence to some productivity guru’s system. When I try to engage him in a discussion of the latest research on habit formation, he hits me with a look his assistants call the bug zapper, for its ability to fry all who encounter it; he has no idea what I’m talking about. Congressman Is Sorry About His You. Tube Rant From Inside the Gas Chambers at Auschwitz. Say what you want about Trump’s tweets, new media has given us a new way to see into the psychotic hearts of our politicians. The latest representative to fall into the trap of oversharing is Clay Higgins of Lousiana. Over the weekend Higgins used his visit to Auschwitz as an opportunity to broadcast some Islamophobia. But now he’s sorry. Despite the fact that signs at the Auschwitz Memorial instruct visitors to “maintain silence here,” the congressman decided to turn his voice up to eleven and broadcast a message to the world. He pointed his camera at his face and ranted about homeland security agenda. In the video he says: A great sense of dread comes over you in this place.. This is why homeland security must be squared away, why our military must be invincible. This is why we must remember these things. Man’s inhumanity to man can be quite shocking.. The world’s a smaller place now than it was in World War II. The United States is more accessible to terror like this, horror like this. It’s hard to walk away from gas chambers and ovens without a very sober feeling of commitment—unwavering commitment—to make damn sure that the United States of America is protected from the evils of the world. The video ends with a janky Photoshop of Higgins with his cowboy hat- wearing head bowed, wearing a badge, and the Isreali and American flags superimposed over him. The message is clear: Higgins is the man that can save these countries. Vote Higgins. The backlash over the congressman’s disrespect of Auschwitz policy on silence and his shameless opportunism was swift. The memorial’s administrators tweeted, “Everyone has the right to personal reflections. However, inside a former gas chamber, there should be mournful silence. It’s not a stage.”Late on Wednesday afternoon, Higgins finally apologized for the video, saying: I filmed the Auschwitz message with great humility. My intent was to offer a reverent homage to those who were murdered in Auschwitz and to remind the world that evil exists, that free nations must remember, and stand strong. However, my message has caused pain to some whom I love and respect. For that, my own heart feels sorrow. Out of respect to any who may feel that my video posting was wrong or caused pain, I have retracted my video. But that’s not how the internet works. The fundamentalist Christian website that the video was uploaded to has removed the post, it’s not on his Facebook page anymore, but just one copycat upload on You. Tube is currently ranked #3. Captain Clay Higgins has made a name for himself among a certain type of conservative with unhinged You. Tube videos that he made while he was a police officer in Louisiana. One of those videos with racist undertones prompted some controversy and when his boss in the St. Landry Parish Sheriff’s Office asked him to “tone down his unprofessional comments,” he decided to publicly resign instead. Nazi websites anointed him as a new hero. Jimmy Fallon said he should run for president. As a cop, he could appeal to anti- black sentiments, but as a politician, it’s all about anti- Muslim rhetoric. While he didn’t get into much of that outside of a pointed reference to “terror” in his Auschwitz video, his audience knows what he means.“Our nation is at war with Islamic terror — the foreign horror that oppresses millions and intends to convert, kill or enslave the entire world,” he said in a campaign video. Well a Facebook post from Higgins on June 4th makes his beliefs much clearer: The free world.. Not one penny of American treasure should be granted to any nation who harbors these heathen animals. Not a single radicalized Islamic suspect should be granted any measure of quarter. Their intended entry to the American homeland should be summarily denied. Every conceivable measure should be engaged to hunt them down. Hunt them, identify them, and kill them. Kill them all. For the sake of all that is good and righteous. Kill them all. He makes sure to frame the War on Terror as a clash between Christianity and Islam, then proceeds to call for the execution of anyone suspected of being a radicalized Muslim. Is he saying that we should deny terrorists entry into the US? Of course not, how would that work? It’s not like their passport says, “terrorist.” You get his drift. Kill them all. And the cycle continues. Higgins apologizes and takes down his video. But it lives on and his supporters got the message. It’ll be one more example of the mainstream media and Jews censoring someone just trying to speak the truth. D's Tag Force 5. I just figured out how to make Max DP work, well for me anyway. Because if you take more DP with maxed DP already, you will end up with 0 DP. Spend A LOT!! Duel an NPC and see if the game will shut down. 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